Wednesday, May 8, 2024

Common Sense Media’s weekly recommendations


Stop-motion Leonardo da Vinci biopic has a number of information.

The Inventor” is an animated biopic that explores the general years of inventor/artist Leonardo da Vinci’s existence. The business-savvy genius (voiced by way of Stephen Fry) consents to invent ideas for battle machines for Pope Leo X (Matt Berry), and a cartoon of a scythed chariot is imagined shifting into motion and cutting attackers in part (there’s a tank with weapons, too). But children additionally see how Leonardo cleverly convinces the pope no longer to in reality construct the guns. Death, illustrated as a slightly frightening, hooded executioner with an ax, looms over Leonardo on a couple of events. At one level, Death swings the weapon, leaving the artist collapsed at the flooring to constitute a stroke. And despite the fact that no chopping or dicing is proven, rather slightly of consideration is given to Leonardo’s interest for stealing and dissecting cadavers within the pursuits of clinical analysis. Historical figures and occasions have a presence, which would possibly encourage some children to be told extra. One who’s in particular highlighted as a hero is Princess Marguerite de Navarre (Daisy Ridley), who is helping usher within the Renaissance by way of supporting Leonardo’s advent of the Ideal City. The film celebrates interest and the ability of concepts and creativeness, however the sheer quantity of information within the film (and the combination of various animation types) would possibly make it arduous for more youthful audience to totally have interaction. (92 mins)

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A Haunting in Venice (PG-13)

Stark, spooky Hercule Poirot homicide thriller has violence.

A Haunting in Venice” is creator/director/famous person Kenneth Branagh’s 3rd homicide thriller centering on novelist Agatha Christie’s sensible detective Hercule Poirot. It has a distinct tone from predecessors “Murder on the Orient Express” and “Death on the Nile”: It’s extra contemplative, stark and spooky. Violence comprises murders, soar scares, folks being impaled (one by way of a statue, one by way of a sword), ghosts, unexpected noises, screaming, glass breaking, tried drowning, combating, punching, slapping, threatening with damaged glass, poison, damage and extra. A lady is observed slipping underwater and drowning, and there’s dialogue over whether or not she used to be murdered or died by way of suicide. Another personality discusses an strive at suicide. Infrequent language comprises “s—,” “b——,” “Christ,” “damn” and “hell.” A boy provides to get his distraught father “a pill.” The film is quietly, eerily efficient, elevating questions on concepts associated with religion and trust within the type of arguments about whether or not ghosts are actual, whether or not there’s an afterlife and whether or not there’s a human soul. (103 mins)

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Warm however unoriginal camp comedy fashions certain conduct.

Camp Hideout” is a tween-friendly comedy about a teenager named Noah (Ethan Drew) who has to choose from juvenile detention and summer season camp. It’s like “Meatballs” meets “Home Alone,” however way more healthy and not more violent. Made by way of faith-based filmmakers, it’s rather gentle on each iffy content material and evident religion components, rather than a couple of scattered “Easter eggs” (e.g., a canine named Lazarus or a Bible verse quantity within the background). Instead, Christian rules — similar to greeting outsiders with open hands and being there to toughen others thru existence’s demanding situations — are demonstrated thru characters’ movements. Noah lives in a loving foster house; one child bullies him by way of calling him “orphan,” as though it’s a foul phrase (different insults within the script come with “loser” and “jerk”). This results in a temporary scuffle. Most of the remainder of the campers are a various, welcoming bunch. Characters get creative in seeking to stay two criminals clear of the camp, however their deterrents are in large part of the slapstick selection. Themes come with communique, empathy and gratitude. (100 mins)

Tiny Toons Looniversity (TV-PG)

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Goofy collection with toons in comedy school; some violence.

Tiny Toons Looniversity” is a reboot of the classic animated series. It as soon as once more stars a wacky group of scholars hoping to be told the craft of comedy at “Acme Loo,” a school the place the professors are Looney Tunes characters like Bugs Bunny, the dean is Granny and anvil drops lurk round each nook. Like maximum Looney Tunes houses, this collection has a large number of cartoonish slapstick violence; characters hit one some other, explode, grow to be ghosts and get overwhelmed by way of heavy gadgets. Language comprises faux-swearing like “dadgum” and “dang.” There’s some kindness between characters, and classes realized about self belief and taking probabilities. (10 22-minute episodes)

Common Sense Media is helping households make good media possible choices. Go to commonsense.org for age-based and academic scores and critiques for motion pictures, video games, apps, TV presentations, internet sites and books.



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